Walt's team must get creative to obtain the materials they need to continue their operation. Free Download Video Breaking Bad Dead Freight Episode On ABC Family Tv Online Tv Live Streaming Video. Online Watch Breaking Bad Full Episode Watch Stream HD Video on Internet TV.Bryan Cranston stars in this drama focused on a mid-life crisis gone bad for an underachieving high school chemistry teacher (Walter White), who becomes a drug dealer after he discovers that he has lung cancer. With a new sense of fearlessness based on his medical prognosis, and a desire to gain financial security for his family, Walter White joins forces with an old student, Jesse Pinkman (Aaron Paul), in a quest that follows their entry into a dangerous world of drugs and crime.Now, ushering in season 5, Gilligan offers us a glimpse of what we can only assume is nearly the end of the road. ‘Live Free or Die’ revels in offering just enough illumination on the mysterious circumstances to spark what will certainly be countless theories leading to the how and why. An unshorn Walt, complete with beard and thick-rimmed glasses, sits alone in a Denny’s restaurant, playing with his food by arranging pieces of bacon into the shape of a fifty-two – the age he has turned on this day.
He’s there to meet up with Lawson (Jim Beaver, Supernatural), the weapons dealer, and purchase a rather large machine gun nestled in the trunk of a car, which Lawson also provided.
The brief scene is telling in many ways, but only telling enough to raise many more questions. For those keeping score, Breaking Bad began on Walter White’s 50th birthday – so this is, in a way, Gilligan illustrating to his audience just how far Walt has traveled and in what amount of time. More clues come while Walt is making the purchase from Lawson in the men’s restroom.
Lawson demands the artillery not cross the border, to which Walt replies it’s not even going to leave town – meaning someone is likely about to be on the receiving end of the machine gun. After Lawson wishes him good luck and leaves, Walt dry swallows a prescription pill of some kind, which will undoubtedly leave viewers questioning whether or not his cancer has come back.
Finally, as he’s exiting the restaurant, leaving a $100 bill under his untouched plate, the waitress addresses Walt as Mr. Lambert – the maiden name of his wife, Skyler (Anna Gunn). In addition to everything the audience is asked to take in, Walt’s choice of alias presents a whole slew of questions on its own.
Again, Gilligan should be commended for the precision of his approach: it’s purposeful and direct without giving everything away.
At that moment, “Breaking Bad” followers realized that Walt had finally and irreparably crossed the center line on the road to perdition. In past episodes, he’s tried to excuse his misdeeds — drug manufacturing, emotional and physical abuse, money laundering and even murder — by rationalizing that as a terminal cancer victim, he’s just trying to provide for and save his family: wife Skyler, son Walt Jr., baby Holly and surrogate son Jesse.
Now he has stretched his Machiavellian ends-justify-the-means strategy to the moral breaking point.
Even after eradicating nemesis Gus Fring (Mr. Los Pollos Hermanos) and retired drug-cartel enforcer Tio (“Ding!”) in last season’s brutally brilliant “Face Off,” Walt stoops to a new low. Series creator Vince Gilligan calls it “Walt’s deepest, darkest secret”:
“There’s no bigger reveal than the fact that Walt would poison a child [with lily of the valley berries],” he told Hitflix.com. “That truly makes him no better than Gus.”
The age of Bryan Cranston has returned. Once universally lauded for his work in Malcolm In The Middle, there had yet to be a good vehicle for this man's particular talents. He has that rare gift of generating sympathy and manic-energy at the same time.
For those that would be content to label this show a Weeds knock-off, bear in mind that Breaking Bad is a new kind of monster. It touches on the very same themes, "living realistically as a middle class in the United States" which often makes us resort to extremes to survive.
Like the mother and daughter team that robbed that bank. But the weed selling antics of Showtime's hit show is really nothing like "Bad." The Pilot was about as perfect a Pilot as I've ever seen, and much of it rests on Bryan Cranston's shoulders.
Cranston plays Cheimstry teacher Walter White. He has a loving wife, a child with Cerebal Palsy and another is on the way. He also happens to be dying from an inoperable lung cancer situation, which happened although he "never smoked." His finances in disarray, the once great student of science turns to crime to solve his problems.
He’s there to meet up with Lawson (Jim Beaver, Supernatural), the weapons dealer, and purchase a rather large machine gun nestled in the trunk of a car, which Lawson also provided.
The brief scene is telling in many ways, but only telling enough to raise many more questions. For those keeping score, Breaking Bad began on Walter White’s 50th birthday – so this is, in a way, Gilligan illustrating to his audience just how far Walt has traveled and in what amount of time. More clues come while Walt is making the purchase from Lawson in the men’s restroom.
Lawson demands the artillery not cross the border, to which Walt replies it’s not even going to leave town – meaning someone is likely about to be on the receiving end of the machine gun. After Lawson wishes him good luck and leaves, Walt dry swallows a prescription pill of some kind, which will undoubtedly leave viewers questioning whether or not his cancer has come back.
Finally, as he’s exiting the restaurant, leaving a $100 bill under his untouched plate, the waitress addresses Walt as Mr. Lambert – the maiden name of his wife, Skyler (Anna Gunn). In addition to everything the audience is asked to take in, Walt’s choice of alias presents a whole slew of questions on its own.
Again, Gilligan should be commended for the precision of his approach: it’s purposeful and direct without giving everything away.
At that moment, “Breaking Bad” followers realized that Walt had finally and irreparably crossed the center line on the road to perdition. In past episodes, he’s tried to excuse his misdeeds — drug manufacturing, emotional and physical abuse, money laundering and even murder — by rationalizing that as a terminal cancer victim, he’s just trying to provide for and save his family: wife Skyler, son Walt Jr., baby Holly and surrogate son Jesse.
Now he has stretched his Machiavellian ends-justify-the-means strategy to the moral breaking point.
Even after eradicating nemesis Gus Fring (Mr. Los Pollos Hermanos) and retired drug-cartel enforcer Tio (“Ding!”) in last season’s brutally brilliant “Face Off,” Walt stoops to a new low. Series creator Vince Gilligan calls it “Walt’s deepest, darkest secret”:
“There’s no bigger reveal than the fact that Walt would poison a child [with lily of the valley berries],” he told Hitflix.com. “That truly makes him no better than Gus.”
The age of Bryan Cranston has returned. Once universally lauded for his work in Malcolm In The Middle, there had yet to be a good vehicle for this man's particular talents. He has that rare gift of generating sympathy and manic-energy at the same time.
For those that would be content to label this show a Weeds knock-off, bear in mind that Breaking Bad is a new kind of monster. It touches on the very same themes, "living realistically as a middle class in the United States" which often makes us resort to extremes to survive.
Like the mother and daughter team that robbed that bank. But the weed selling antics of Showtime's hit show is really nothing like "Bad." The Pilot was about as perfect a Pilot as I've ever seen, and much of it rests on Bryan Cranston's shoulders.
Cranston plays Cheimstry teacher Walter White. He has a loving wife, a child with Cerebal Palsy and another is on the way. He also happens to be dying from an inoperable lung cancer situation, which happened although he "never smoked." His finances in disarray, the once great student of science turns to crime to solve his problems.